Federal Row House

Row Houses at Work – The Row House Storefront

Every now and then, a row house has to be more than a house. From the beginning of urban development, people have worked and live in the same buildings. Larger row houses are perfect for this intimate commerce. Below are a few of our favorite examples and we’ll be adding more as we come across them.

Zinc Bistro & Wine Bar

Zinc Bistro & Wine Bar
Zinc is a local French bistro restaurant and occupies the first floor of a Greek Revival tenement-style row house.
246 South 11th Street, Philadelphia, PA

Blendo boutique gift shop in a row house.

Blendo Boutique
Blendo Boutique sells vintage and unique gifts and occupies the first floor of a Federal Revival row house. Pine Street is known as antique’s row and most of the shops occupy row houses.
1002 Pine Street, Philadelphia, PA


row house garage

Distinguished Row House Garage Doors

Parking is often a challenge for urban row house dwellers. If you have a newer home, or adjacent property, you might be able to enjoy the luxury of a garage or off-street parking. And, if you are lucky enough to have a garage, chances are, it will have a door, or a parking space gate. Below are some of the nicer garage / gate doors we’ve seen during our journeys.

Even if you can’t afford a fancy garage door, keeping the garage door you do have in good condition will have a positive effect on the general curb appeal of your row house. Don’t forget, a garage door that closes tight means you will be less likely to receive visitors like raccoons, mice or squirrels.

Row House Garage Door

Row House Garage Door

The stained wood and ironwork on this garage door is quite lovely. The front door of this row house has a coordinating design.

This is a beautiful, old world styled, garage door. The paneled style and small square windows resemble colonial doors, which are common in this area. The owners have placed a welcoming bench and flowerpot to add curb appeal.


Row House Garage Door


Hidden Row House Rows in Philadelphia – Queen Village

One of my favorite things about Philadelphia is the small, hidden rows inside of blocks. Most of the time, these aren’t visible from the streets and require navigating through passageways between other houses. Every now and then, I get invited to someone’s house or interlope during an open house and get the opportunity to view one of these little secret little rows.

The row houses below are situated in the middle of a block in the Queen Village neighborhood. To access the pair of rows, four homes on each side, you pass through a gate from the street and walk through the street-facing row houses. Often, there is a little courtyard between the houses and gardens. This particular pair has a mural and a bench.

Hidden Row House Rows in Philadelphia

Below, we’ve turned around and you can see the back of the street-facing row house. Technically, these homes are built within the original property lines of the street-facing house. During the 19th Century, Philadelphia had such a population boom that they were building these little rows wherever they would fit. If you needed extra income? Pop in a few extra row houses in your backyard.

Hidden Row Houses in Philadelphia

These are small row homes and the house I got a chance to view the inside, revealed a living room and kitchen on the first floor, and likely two small bedrooms and a bathroom on the second floor; I didn’t want to impose. It wasn’t uncommon for these homes to have the kitchen in the basement, which would have made the main room larger. I also don’t know if there is a third floor loft space but it is possible to add a small space.

Hidden Row Houses in Philadelphia

The last home has a lovely bay window and in general these homes are small enough to be very well lit, despite the close quarters with the neighbors.

Hidden Row House in Philadelphia

These are rather small homes but they’re also very private, aside from your immediate neighbors. The outer, street-facing row homes buffer out most of the street noise and keep any creepy-types from lurking about.

Whenever I discover one of these blocks, and even after nine years in the city I’m still finding hidden blocks, it’s like finding buried treasure.

Repointing a Stone Wall with Lime Mortar


Our wall is cleaned up and ready for pointing. The joins are quite worn away and this project is very overdue.

First and foremost, you can not use concrete / portland cement in any masonry work on a house built before 1850, and maybe even until 1900. It’s worth asking a local mason to see what sort of bricks you have in your home. If they are new bricks and fired to be very hard, cement with confidence. However, older bricks, usually those with inclusions like small stones, have been hand-fired and therefore should only be pointed with lime-based mortar.


Here is a close-up of the original mortar from 1832. The sand is course and filled with small rocks and pieces of shell. It is very likely that the materials for this wall were obtained from the nearby Delaware river.



This quartz is enormous! When you’re really up-close to your masonry, you discover all the character.

It has taken years to build up the courage to face our basement wall. Years of sweeping up dust and bits of stone as the wall sheds. Years of research on how to make quicklime into lime putty and what ratio of lime putty to mix with sand to form the appropriate mortar for a row house built in 1832. Meanwhile, steadily voicing concerns that we were one rock away from the house falling apart around us. Finally, my husband said, “Make a plan already!” and so I did. I’m currently in the middle of earning my Master’s in project management which means I can’t write as often as I’d like to. It also means that any project I undertake is a good time to practice the project management skills I’m learning. So last month, I spent an entire Sunday researching lime mortar, again, and writing out a plan which included a list of materials needed, a work breakdown structure, and a timeline with actual real dates on it.

Download our repointing project plan.


Section off the area with plastic sheeting. Misting the wall as you clean away loose mortar also keeps dust to a minimum.

The most challenging aspect of the project was the mortar itself. Quicklime is very caustic and corrosive. Turning quicklime into lime putty is time consuming, messy work; not something you would want to do in your kitchen. I was overjoyed to discover Ecologic natural hydraulic lime from Limeworks. Ecologic mortar is the perfect choice for older buildings that need lime mortar but it has the ease of modern mortar because you just add water. We used a ratio of three pints of water to 12 pints of Ecologic to obtain the perfect consistency. After trying to use several things to stir the mortar, we discovered that using our hands worked best. Mix for a good five minutes and definitely double up on the gloves since the lime is very drying. Also, use a face mask because the dust is irritating. Once it’s mixed, you don’t need the mask but keep the gloves on throughout the project. Mixing the mortar is very therapeutic and like building a sandcastle at the beach and we made small batches as we worked across the wall.

We’re lucky to live nearby one of Limeworks retailers, Killian Hardware in Chestnut Hill, Philadelphia, Pa. Killian’s is a fantastic place that carries many products for the older home. It’s hard to estimate how much mortar you’ll need for a stone wall since it’s irregular but we used four and a half bags. Ecologic is around $26 per bag and each bag covered about four-square feet worth of pointing.


Ecologic mortar from Limeworks. Years of research and all the while, this fantastic product was just waiting to be discovered.

Repointing is messy work and you’re going to want to make sure the area is sectioned off with plastic, along with the floor.

Before we got started with the mortar, we cleaned out as much old mortar and debris as we could. For an interior wall, about an inch depth is recommended. Our wall had been shedding for so long that we only had to suck the loose sand out with the shop vac and give the rocks a good scrubbing with a stiff-bristled broom-head. We had no idea but there are a few very large pieces of quartz in our wall; one the size of a cantaloupe!

In terms of pointing, we had purchased trowels but discovered that using our hands was really the best method. Again, it’s going to be rough on your hands, as the lime is very drying, but our fingers could get the mortar in the crevices most effectively. The trowels were a bit expensive and using our hands saved us $30. We also didn’t need the wood or dowels for the palettes either, knocking another $6 off, making the overall budget for the project less than $200. The best method for applying the mortar was to take small lumps and work it into the joints slowly, like creating pottery. There is something very zen about working with your hands and really considering the shapes of the rocks and how to work the mortar around them.


Here is our wall about half-way through the project. The difference was really amazing! Notice; if we had partially repointed the wall, we would have had to color-match since the old mortar is almost pink in comparison.

Overall, it took the two of us about 10 hours to repoint a 10′ by 12′ wall, including a lunch break and the two hours I worked by myself while my husband went back to Killian’s to get more mortar because we needed five bags instead of the two we originally purchased. The next day we devoted to clean up and a light spray of the wall in the morning, followed by one more spray before bedtime. It’s important to note that you do want to use the mortar during the more humid times of the year, so spring and summer. Lime mortar needs to dry slowly. Our basement is usually about 70 percent humidity which is excellent for the wall. When cured, the mortar should last a nice long time and not damage the stones and bricks like portland cement.

A final note; Ecologic comes in several color options and there are kits to further customize the color. We used the DGM 50 color because we wanted a nice contrast with the rocks and were doing the entire wall. You can send a sample of your mortar to Limeworks and they will help create a mortar that matches the color if you need to repoint in sections.


The finished wall and everything back to normal!

We didn’t realize before the project but the repointed wall, with the brighter mortar, is much more welcoming than it was before. In a basement dining room/kitchen it’s very important to keep things light and cheerful to avoid the feeling you’re in a dungeon. We can also expect fewer drafts and less dust.

There’s a Name for Everything: Our Eclectic Colonial Row House

My post about Creating an Eclectic yet Established Style turned out to be long enough for two posts. So, while that post gets the ball rolling, this post will share how we’ve applied the 40/50/10 ratio to our own row house.

Source: https://nttreasurehunt.wordpress.com/category/conservation/page/4/

A rather fancy Rococo bedroom from the period. Very fussy and there is no way that bed is fitting into my house. Source: https://nttreasurehunt.wordpress.com/category/conservation/page/4/

Our exploration of what the style Eclectic Colonial should be, was prompted by a recent post on Apartment Therapy; “Before & After: Eugenia’s Eclectic Colonial Makeover.” At first I was puzzled because the example didn’t quite convey what I think Eclectic Colonial, or any eclectic style, should be. In our post, I explain how to go about getting an eclectic style using the 40/50/10 ratio approach. If you wonder why I need to restrain myself, I have design ADHD. I like many styles but it would be emotionally disturbing to have them all fighting in my small house. Because early American / 18th Century is my favorite, both inside and out, that’s my main design focus. Therefore, regarding the Eclectic Colonial style in particular, I had a bit of an ah-ha moment because I know exactly what Eclectic Colonial should be!

What I love about the modifier eclectic, is that it says it’s OK to be less than perfect and that it’s OK to take a few liberties. For us, this is helpful because the prevailing style during the 18th Century colonial and early American period is Georgian / Federal / Adams (see our sampler post and architectural guide post) and Rococo (see https://en.wikipedia.org/?title=Rococo), all of which are expensive to attain. 100% is quite beyond our means so being able to take an eclectic approach has been very liberating for us, and many vintage home dwellers alike.

Source: https://s-media-cache-ak0.pinimg.com/originals/bd/70/5d/bd705db8fec5a3815cfa9f5d5e06c728.jpg

A modern interpretation of 18th Century bedroom. Less fussy and a much better starting point. Source: https://s-media-cache-ak0.pinimg.com/originals/bd/70/5d/bd705db8fec5a3815cfa9f5d5e06c728.jpg

When we were looking for our row house, seeing as Philadelphia has plenty of 18th and early 19th Century architecture to choose from, there was no doubt that we would end up in a Federal row house. To provide a little background, the Federal style was a departure from the Georgian style du jour of the 18th Century. As the colonies moved closer and closer to independence, early Americans wanted to separate themselves from the Crown and Country. The simplified Federal style reflected this in it’s reduction of the opulent styling of the period. Practically speaking, unless you have an enormous budget, if you are looking for an 18th Century home in America, you’re getting a Federal house.

Regarding our interpretation of Eclectic Colonial style, having an authentic period home that has only been gently renovated, makes it quite a bit easier to embrace the style as the dimensions of the rooms are already perfectly suited. However, I find that the Rococo style is really too fussy for every day life in a small row house and even reproduction furniture and fabrics (my favorite!) are expensive. I had done extensive research regarding what an ideal 18th Century home should look like, but additional research was required to find something we could live with day-in and day-out. This is the difference from dreaming about your almost 18th Century home to actually living in it. Thankfully Colonial Williamsburg, Virginia does have examples of modest period homes to explore and a few rooms at the Metropolitan Museum of Art in New York are more modestly furnished; both excellent starting points.

In the previous post, I suggest utilizing mood boards to help assemble a collection of ideas that follow the ratio of 40% following the rules, 50% representing the rules, and 10% random. I have boards for each room of the house as well as textiles and color palette. Following, is the ratio at work and our Eclectic Colonial work in progress.

I'm starting with the details because nothing says eclectic like a collection of stuff.

I’m starting with the details because nothing says eclectic like a collection of stuff. Our built-in shelves began their life as a closet to the right of the fireplace. Every item has a story but note the white ceramic pineapple. The pineapple is a symbol of welcome at Colonial Williamsburg and during the 18th Century, a popular type of dishes produced by Wedgewood, called Queensware, was white and very decorative.

This is the entire front left corner of the living room.

This is the entire front left corner of the living room. We are lucky to have three working fireplaces in our house. Finding the 40% of authenticity in our house is almost accomplished just because it’s a period home. However, we’ve had a little fun and here is where some of our eclectic approach is apparent. Taxidermy above the fireplace was not uncommon in the 18th Century, however we have a jackalope. We’ve put him into a frame, which is almost Rococo in style but it’s a modern interpretation. The fireplace is off-set which means we can’t really utilize a mantel without distroying half of it. So, we use a floating shelf, which is very modern, but the floral design on the shelf ties it to the frame and pulls the entire area together. The overall idea is a nod to history but it’s definitely an eclectic interpretation. To bring the area back into the proper style, we have a nice Windsor chair which would have been very much at home in just about any early American home.

18th Century Girandole Mirror

No 18th Century house of average means would be complete without a Girandole Mirror. We like to refer to ours as the portal since it’s rather large considering the space. So far we haven’t been transported to the 18th Century, much to my disappointment. What it does do, is distract the eye from the television, a necessary evil. Unfortunately, the size of the t.v. makes it very difficult to hide inside a chest and what options we do have, are really expensive and take up too much floor space.

This secretary in our office was a fantastic find.

This secretary in our office was a fantastic second-hand find. IKEA used to have a collection of furniture called Lesvik which was based on simple Swedish country design from the 18th Century. We actually have a few pieces from this collection because they’re perfect in scale and style for our house. And unlike antiques or reproductions, we don’t have to be overly careful with it. IKEA seems to be phasing out the line which is sort of depressing because the spiral stairs in our house makes getting furniture into the upper floors very difficult and flat pack is very convenient. As home decor is a work in progress, please ignore the baskets.

Children's bedrooms are always very, very difficult to work with.

Children’s bedrooms are always very, very difficult to work with. Fine furniture doesn’t stand a chance and we couldn’t get it up the stairs anyway. Once again, the architecture of the room and the original mantel and fireplace do the work of tying the room to it’s Colonial roots. This room maintains it’s original flooring as well. As our daughter gets older, we hope to pull in more history and a little less chaos.

In a small Federal row house, it is very likely that you will have at least one Dormer bedroom.

In a small Federal row house, it is very likely that you will have at least one dormer attic bedroom. Once again, architecture helps us maintain a strong tie to the Colonial style. The bed is from the Lesvik line at IKEA which resembles 18th Century Swedish style, similar to the secretary in the office area. On the wall, is a charming oil painting of a tall mast ship, also appropriate.

From there we’ve diviated a bit, mostly because any furniture that needs to go up the stairs needs to be dismantled. We were able to hoist the mattress over the balcony but mattresses are squishy. I’m very reluctant to try something make of wood so modern Swedish it is. I did see a fantastic tutorial on how to turn otherwise plain dressers like ours into something that resembles an old steamer chest. Perhaps a DIY project for my upcoming vacation week.

Often, when a vintage house is renovated, many details are removed.

Often, when a vintage house is renovated, many details are removed. In the case of our house, we actually gained a more historic feature than our house could have had originally because of it’s very small size (10 by 10 footprint). At first, the kitchen was located where our dining room now occupies and through to the 1990s, you could still cook in the fireplace. During the mid-20th Century, an extension was added to the back of the house and the kitchen was moved over, creating what is very much like a traitional 18th Century keeping room (http://www.wisegeek.org/what-is-a-keeping-room.htm). The low ceiling and exposed beams are exactly what the house would have looked like when it was built in 1832. Again, we relied on IKEA’s Lesvik to provide a china cabinet that looks similar to pieces from the period. Windsor chairs would have been appropriate for a dining area but since the room is small, eventually I would like to get ladder-back chairs which take up less square footage but are very appropriate. The table is a thoughtful deviation that we chose because you can bump into it and not spill anything and it extends to seat eight(!), which we have done.

Oh, and our skeleton is a Halloween decoration we don’t have room to store off-season so he sits at our table. Hector sports a tri-corner hat and a frock coat, both stylish in the early 18th Century. At least someone gets to wear historic clothing all the time.

Finally, housewares are the easiest to begin with when looking to create a cohesive style. There are many resources and suppliers of reproduction 18th Century textiles, glazeware, pewter, and more but it isn’t cheap and unlike furniture, spills and breaks happen. Because of this, I’ve been taking liberties with the textiles I use around the house. Sometimes really departing from the style quite a bit, which is perfectly OK when you’re being eclectic with your interpretation.

So there you have it. What I would consider Eclectic Colonial / 18th Century to actually be, and it really isn’t hard to adapt our approach for any style. Just takes some reflection and determination.

Creating an Eclectic yet Recognized/Established Style

Antique and second-hand stores are very eclectic. One of our favorites: RowHouse Vintage in Manayunk, Philadelphia.

I’ll admit it. I can spend hours looking at Apartment Therapy (A.T.), although I don’t live in an apartment. To be fair, they feature quite a few row houses among the apartments; which is as it should be because row houses are awesome. The majority of the time, I really like how people decorate their spaces and A.T. does a great job curating a wide variety of styles. Notwithstanding, occasionally I find myself somewhat puzzled about the names either they, or the homeowners give, their decor.

At first, the recent article, “Before & After: Eugenia’s Eclectic Colonial Makeover,” got a raised eyebrow from me because I wouldn’t exactly call adding a four-poster bed enough to give a dwelling the Eclectic Colonial label. Then, because I like all things Colonial, more of less, I started to think about the label a little more. Then, ah-ha! The light bulb came on; ding! I know exactly what eclectic Colonial should be.

I love the label eclectic. In terms of domestic decorative arts, it means you don’t have to abide by one style. It gives permission to break the rules, which comes in handy if you have a very small budget. It means your nest can’t be completely classified; it is unpredictable – has that “pop” that designers are always going on about. But, when you add a definitive term, such as Colonial, then you lend yourself to some rules, or structure.

So, exactly how does one go about applying an eclectic style to one’s row house? For starters, unless you’ve hired a professional decorator, you probably already have an eclectic look to your decor. Everyone does. But perhaps you are ready to move on from complete chaos to something a little more cohesive.

First, conduct research to find out what 100% of the desired style looks like and determine if you really like that style. It’s best if the style you anticipate embracing has been something you’ve gravitated toward for a while. For me, the 18th Century crept in slowly, indirectly, and from a young age. By the time I reached adulthood, it was solidly cemented into my psyche. Before we bought our row house, I had been to Colonial Williamsburg, Virginia once, several period homes in New York numerous times, and logged many hours in the American Wing at the Metropolitan Museum of Art in New York City. Not every style has such readily available, fully-furnished dwellings to interact with, but cinema and television can also be very helpful and cover just about every style out there.

Next, create at least three mood boards. Pinterest is perfect for this considering, if you have a smart phone, you can carry your mood boards around with you. On one mood board, collect images that depict the style following 100% of the rules. On another, collect those images that you feel represent the style once you know what 100% should be. On the last, collect images of things you just love regardless of the style. Don’t forget to collect images of color palettes and fabrics as well as furniture and complete rooms. Once you have your boards created and populated a bit, you can apply a ratio (40% following the rules, 50% representing the rules, 10% random) to get enough of the true style along with enough of your own style to merit the label Eclectic What-Have-You.

If this seems a little restrictive, remember, this is about adhering to an eclectic version of an established style so there are guidelines. If this seems a little overwhelming, remember, the decor of one’s house is an ongoing journey that no one ever really finishes. Evolve your style slowly and deliberately.

To learn how we’re applied the 40/50/10 ratio, read There’s a Name for Everything: Our Eclectic Colonial Row House.

Things for Your Row House from Rowhouse

Of course, if the store sign says Rowhouse, I am going to go in. See how the “H” looks like a little house? Irresistible! Inside, we found a wonderful collection of vintage and antique home items at accessible prices, tended to by proprietor Linda Westphal who was kind enough to let my daughter entertain herself on an old typewriter. Usually I let out wistful sighs when lurking about antique stores but Rowhouse has some fantastic things within reach.

Rowhouse Vintage in Manayunk, Philadelphia

You do have to like old, although there were a few mid-century items, but nothing overly modern. Now that that’s out of the way, on to exploring. We noticed the case first, since we now have a violinist in the house but Linda took the violin out of the window so we could get a better look. No longer playable, we were still pretty excited to learn the violin had been made in 1832, the same year as our house.

Rowhouse Vintage

My husband Frank said, “If you had a store, it would be just like this,” as he walked around noticing lovely things like a perforated room divider for $50. Indeed, the store occupies a turn-of-the-century building, if not older, and you go from room to room instead of an open plan. The experience is not unlike visiting an old relative’s house who has the coolest things.

Rowhouse in Manayunk, Philadelphia, vintage typewriter.

Computer keyboards just aren’t as satisfying to use. Tap, tap, tap, ding!

Rowhouse Vintage in Manayunk, Philadelphia.

On the left side of the photo above, there is a desk with a hump-back desk clock. To the left of the clock is a letter organizer, made in France in the early 1800’s. It’s a fantastic piece and very small space friendly. Below is a slightly closer look. I’m sorry I didn’t get a close-up photo.

Rowhouse Vintage, Manayunk, Philadelphia

Rowhouse Vintage, Manayunk, Philadelphia

Below, is the second room, as visitors progress to the back of the store. Rowhouse occupies a corner property so there are windows on the side. The eclectic mix works very well in the architectural setting. Another nice thing about a store setting like this, is that if you live in an older row house, you can get a realistic idea of how something will look in your house, thanks to the similar proportions. Helps to prevent those, “it looked so much smaller in the store” moments.

Rowhouse Vintage, Manayunk, Philadelphia

The third room of the store looked very much like it had been a kitchen during a previous life. Looking behind the shelves, we could make out tile soap holders. Another of our favorites are the floor mats pictures below. They feature nautical and botanical themes. If you have a row house where people come directly into your living room from the outdoors, these mats are fantastic for keeping dirt off your rugs. Frank really liked one that had sailboats on it but we have to wait until they come in stock. The mats are also lovely as wall hangings.

Rowhouse Vintage, Manayunk, Philadelphia

Besides having lovely things to go in the kitchen, there was a beautiful baker’s rack in the front window, with beautiful dark wood surfaces on a vintage industrial style base.

Rowhouse Vintage, Manayunk, Philadelphia

And then, there was this octopus taking a bath on a vintage dictionary page, who came home with us.

Rowhouse Vintage, Manayunk, Philadelphia - Octopus in a bathtub

For more information about Rowhouse, please visit them in Manayunk, Philadelphia at 4320 Main Street, or call 215.482.4320.

It Can Be Yours! 130 Queen Street, Philadelphia, PA

The neighborhood of Queen Village in Philadelphia, PA, is fast becoming the most-desirable place to live in Philadelphia. Recently, Philadelphia Magazine praised the positive growth and development of the greater Center City area and for local residents, myself included, the neighborhood just gets better every year. Learn more about Queen Village.

Most residential properties in Queen Village are brick row houses from the 19th Century. 130 Queen Street is a very typical representation of this style and dates to the earlier part of the Century. Houses like 130 Queen were typically a single room in length, note the half roof, with one room per floor. It is likely that once the plumbing was added, an expansion was built to accommodate the interior bathrooms and kitchen. Although 130 Queen is a row house, it’s a corner property and has windows on three sides, which lets in lots of natural light.

Once inside, the renovated home retains several charming historic features. Each floor has a working fireplace with original hand-carved mantle and two of these have charming built-in cabinets.

On the stairs, overlooking the living room.

A closer look at the hand-carved mantle.

One of the charming built-ins along the fireplaces.

Through the living room is a first floor kitchen that has been tastefully updated in a style sensitive to the age of the house.  The placement of the appliances, all normal-sized, offers ample work space and, thanks to the high ceilings on the first floor, there is plenty of cabinet storage as well.

A well-designed kitchen, in which two people can work comfortably.

Beyond is a patio, realtor Carolyn Perlow at Space & Company describes as “private, with plenty of room for a barbecue, furniture, and a city garden – a lovely place to entertain or just sit and enjoy a cup of coffee.”

There is a bedroom and bathroom on each upper floor, with a few wonderful surprises. Both bathrooms feature marble tile but the second floor bathroom has French doors, opening to a Juliette balcony.

The second floor bedroom is a good size and can accommodate a twin bed without preventing the occupant from accessing the closet. It’s important to note that older homes were not designed to have closets and sometimes adding them in later creates some floor space challenges. So, it’s always nice to report a historic home that has the modern conveniences we’ve come to appreciate. Speaking of modern conveniences, back in the kitchen there is a dishwasher.

I imagine that originally, 130 Queen was a three-and-a-half story row home with a dormer. It will be a nice mystery for the new owner to solve because today the third floor bedroom ceiling extends to the roof. Overlooking the bedroom is a balcony, accessible via spiral staircase, that has French doors opening to the roof.

The master bedroom balcony and ceiling fan.

The ceiling fan, normally not possible in the short ceilings of historic homes, simply sends any hot air right out – fantastic – reducing the need for the central a/c to be running all the time! A roof deck is feasible and would be a nice addition.

A summary of the details includes:

  • 1,300+ square feet
  • Located within the Meredith School encatchment (locals know why this is awesome and this is a great house for a family of three, or cozy for four)
  • Close to snazzy South Street/Head House shopping and restaurants
  • Historic brick row house around 200 years old
  • Gas heat, water heater, and range
  • Lovely, new wood floors throughout that are a period appropriate width
  • Washer/dryer in the third floor bathroom
  • Wired for a security system

For more information, please contact Carolyn Perlow at Space & Company, 215.625.3650. I first met Carolyn, who provided background information and the photos for 130 Queen, at one of the Queen Village Annual Open House tours.