It Can Be Yours! 130 Queen Street, Philadelphia, PA

The neighborhood of Queen Village in Philadelphia, PA, is fast becoming the most-desirable place to live in Philadelphia. Recently, Philadelphia Magazine praised the positive growth and development of the greater Center City area and for local residents, myself included, the neighborhood just gets better every year. Learn more about Queen Village.

Most residential properties in Queen Village are brick row houses from the 19th Century. 130 Queen Street is a very typical representation of this style and dates to the earlier part of the Century. Houses like 130 Queen were typically a single room in length, note the half roof, with one room per floor. It is likely that once the plumbing was added, an expansion was built to accommodate the interior bathrooms and kitchen. Although 130 Queen is a row house, it’s a corner property and has windows on three sides, which lets in lots of natural light.

Once inside, the renovated home retains several charming historic features. Each floor has a working fireplace with original hand-carved mantle and two of these have charming built-in cabinets.

On the stairs, overlooking the living room.

A closer look at the hand-carved mantle.

One of the charming built-ins along the fireplaces.

Through the living room is a first floor kitchen that has been tastefully updated in a style sensitive to the age of the house.  The placement of the appliances, all normal-sized, offers ample work space and, thanks to the high ceilings on the first floor, there is plenty of cabinet storage as well.

A well-designed kitchen, in which two people can work comfortably.

Beyond is a patio, realtor Carolyn Perlow at Space & Company describes as “private, with plenty of room for a barbecue, furniture, and a city garden – a lovely place to entertain or just sit and enjoy a cup of coffee.”

There is a bedroom and bathroom on each upper floor, with a few wonderful surprises. Both bathrooms feature marble tile but the second floor bathroom has French doors, opening to a Juliette balcony.

The second floor bedroom is a good size and can accommodate a twin bed without preventing the occupant from accessing the closet. It’s important to note that older homes were not designed to have closets and sometimes adding them in later creates some floor space challenges. So, it’s always nice to report a historic home that has the modern conveniences we’ve come to appreciate. Speaking of modern conveniences, back in the kitchen there is a dishwasher.

I imagine that originally, 130 Queen was a three-and-a-half story row home with a dormer. It will be a nice mystery for the new owner to solve because today the third floor bedroom ceiling extends to the roof. Overlooking the bedroom is a balcony, accessible via spiral staircase, that has French doors opening to the roof.

The master bedroom balcony and ceiling fan.

The ceiling fan, normally not possible in the short ceilings of historic homes, simply sends any hot air right out – fantastic – reducing the need for the central a/c to be running all the time! A roof deck is feasible and would be a nice addition.

A summary of the details includes:

  • 1,300+ square feet
  • Located within the Meredith School encatchment (locals know why this is awesome and this is a great house for a family of three, or cozy for four)
  • Close to snazzy South Street/Head House shopping and restaurants
  • Historic brick row house around 200 years old
  • Gas heat, water heater, and range
  • Lovely, new wood floors throughout that are a period appropriate width
  • Washer/dryer in the third floor bathroom
  • Wired for a security system

For more information, please contact Carolyn Perlow at Space & Company, 215.625.3650. I first met Carolyn, who provided background information and the photos for 130 Queen, at one of the Queen Village Annual Open House tours.

Historic Row Houses in Narai-juku, Japan

Kon’nichiwa

I recently noticed that several of our readers are from Japan. I hadn’t really thought too much about Asian row houses and decided to do some research, during which I discovered these lovely historic row houses in Narai-juku Japan, dating from the Edo period (1603-1868).

The great thing about this row is that it’s a “Nationally-designated Architectural Preservation Site” and has been preserved in its original condition.  It’s a rather popular tourist destination and has a lovely website although I have no idea what is says. If you speak Japanese and/or know about these beautifully preserved row houses, please comment!

Source: http://commons.wikimedia.org/wiki/File:Nakasendo_Narai-juku03n4272.jpg

Source: http://commons.wikimedia.org/wiki /File:Nakasendo_Narai-juku03n4272.jpg

 

 

 

 

 

 

Wooden-Sided Row Houses in Philadelphia

I was out and about today and came across these two row houses. Wood siding is fairly unusual but it’s not impossible to find the rare, well-preserved example. With the bright hibiscus in front, they are both very charming.

Also, an amusing bit of faux as the dentil cornice on the white home is painted. These are Federal row homes that likely date between 1790 to 1830.

Federal Row House in Philadphia

Federal Row House in Philadphia

Federal Row House in Philadphia

Federal Row House in Philadphia

Federal Row House in Philadphia

Federal Row House in Philadphia

RowHouse Magazine Resources: Research

Colonial row houses in Philadelphia.

Colonial row houses in Philadelphia.

You don’t have to face renovation alone. These are a small sample of the associations you can reach out to for assistance with your renovation. If you have an association near you, please let us know and we’ll add them to the list.

 

RowHouse Magazine Resources: Renovation & Restoration

Georgian row house in Philadelphia.Row houses come in every age. If you have an older row home and you wish to preserve the authenticity, the following resources may prove useful.

Please note that listing a product or company here is not an endorsement of the product and/or its quality. Listings here are meant to be useful and informative but not promotional. Companies listed here have not paid compensation to be listed.

 

Garden City Row Houses in Hellerau, Germany

Sometimes we discover things quite randomly here at The Urban Rowhouse. One of our new-found favorite places for inspiration is Pinterest. If you haven’t seen our RowHouse Magazine board, please check it out. Our pins represent both what we’ve written about on this blog as well as row houses we’ve seen on other boards.

Garden Town Hellerau: Row of Houses © Christoph Münch @ www.marketing.dresden.de

Garden Town Hellerau: Row of Houses © Christoph Münch @ http://www.marketing.dresden.de – The row of houses in Hellerau was created by Richard Riemerschmid who made the development plan for the garden town.

Recently, I came across photos from the garden city of Hellerau, now part of Dresden, in Germany. In general, garden cities are a unique type of planned, semi-urban residential development that were conceived by urban planners who thought if you combined the best of what the city had to offer, with the benefits of living in the country, it would pretty much be a nirvana of living. As a result, garden cities are highly conceptually planned districts, that are typically very beautiful and very well thought out.

In the best plans, there is typically a variety of homes represented to cater to several income levels so that laborers could live along with the managers and owners, conveniently within close distance to the workshops and factories. As a result, many garden cities, including Hellerau and Forest Hills Gardens in Queens, New York, have row houses.

The concept of garden cities was conceived by English social theorist Ebenezer Howard who, after seeing cities ravaged by the Industrial Revolution, thought there was a better way for people to live; more in harmony with each other, their environment, and their livelihood. In his book, “Garden Cities of To-morrow” (1902 – read it here), he presented an idea for planned communities in balance with enterprise, the environment, and society.

Howard’s work inspired German master carpenter and entrepreneur Karl Schmidt-Hellerau, who happened to need a place to house his growing workforce. Row houses were part of the original four-part concept for Schmidt-Hellerau’s garden city, which also included detached homes, workshops, and community buildings. To design the homes and layout of the community, he enlisted the assistance of several well-known architects of the day, Richard Riemerschmid, Heinrich Tessenow, Hermann Muthesius. (Source: http://germanhistorydocs.ghi-dc.org/sub_image.cfm?image_id=2154)

Most of the row homes in the area are intact. They are predominantly light-colored stucco with cheerful red roofs and often shutters surrounding the windows. The overall design is clean and works well with the established domestic architecture of the time as well as still looking relevant today. I tried to find an approximate idea of what a row house in Hellerau would cost but there doesn’t seem to be any currently on the market.

To learn more about the garden city of Hellerau, please visit the following websites:

Perfectly Combining Sophistication and Historic Sensibility in Jersey City

I am pleased to introduce Richard Haymes and Michael DeJong. They own a beautiful Georgian / Greek Revival row home in Jersey City, New Jersey that they have lovingly restored. Their home is a wonderful juxtaposition of comfort and elegance with a great respect for the history of their home.

Where is your neighborhood?

Richard: Downtown Jersey City, New Jersey.

Richard: Jersey City is a city in transition — particularly since 9/11, 2001, when a lot of New Yorkers moved across the Hudson River. It’s an amazingly diverse community; there actually feels like there’s a sense of community here, and we’re only 25 minutes by the PATH train away from mid-town New York. We live in the Harsimus Cove section of Downtown, and there are about 3-4 connected sections within the city that comprise the Historic Preservation District, safeguarded by the JC Historic Preservation Council.

Is your house historic?

Richard: Yes, our house was built in 1833 — at least that is the earliest deed to the property that we’ve been able to investigate by examining public records, but regardless, the house definitely falls between the War of 1812 and the Civil War. I am not certain of the style but I think Georgian is the closest.

Exterior of Georgian / Greek Revival row house in Jersey City. Photos: Richard Haymes and Michael DeJong.

Exterior of Georgian / Greek Revival row house in Jersey City. Photos: Richard Haymes and Michael DeJong.

Any famous structures or neighbors nearby?

Richard: At the time our row of four houses was built, the only other structures nearby were the Baptist Church on the far end of other corner, and Grace van Voorst Episcopalian Church around the corner from us. Both churches were two important stops along the Underground Railroad. Jersey City, in fact was a big hub of the Underground Railroad because many slaves were brought to freedom there and then safely transported to other abolitionist safe spaces. In our house, we’ve always thought it strange that the basement door had only one lock and it was on the inside of the door, rather than the obvious outside of the door. We’d like to think that our house, too, was perhaps a part of the Underground Railroad. Hiding folks in the basement, with only access out provided when the coast-was-clear, seems like a pretty ingenious method to hide people in safety.

How long have you been living in your row house?

Richard: We moved in on July 4, 2002.

Front hall of Georgian / Greek Revival row house in Jersey City. Photos: Richard Haymes and Michael DeJong.

Front hall of Georgian / Greek Revival row house in Jersey City. Photos: Richard Haymes and Michael DeJong.

What made you decide to embrace the row house life?

Richard: We always knew that we would find the house that was meant for us if it “sang to us.” The moment we crossed over the threshold on to the original red and white Minton tiles, we elbowed each other and nodded that “this is what we’d like to be shown by the realtor!” We had been looking for several months with another realtor who was showing us everything but what we had asked to see. And on some days we would drive from one freak show to another. Finally, we went into a building that, probably at one time, was a beautiful, elegant mansion but now just stepping on the staircase made it pull it a foot away from the wall. We turned and ran… literally!

Richard: We made an appointment with a new local realtor recommended to us by friends. We got to the appointment about 30 minutes early so we figured we’d walk around the neighborhood to get a feel for the area. Michael, unable to pass by a stoop sale, points to a tree, with a sign reading “Parlor Sale” and wanted to go in. I was nervous about being late for our appointment but he convinced me that we’d be in and out of the parlor sale quickly. We followed the arrows up to the parlor floor, noticing that the entire first floor was covered with moving boxes and stacks of furniture. We then asked the guy running the sale why he was moving — because it seemed like such a beautiful house. He told us it had something to do with the owner selling it. We asked, “This house is for sale?” “Yes,” he replied and went on to tell us who the realtor was — the exact person we were supposed to meet in 30 minutes. We ran to the office, asked for the realtor, and told him he was about to make the easiest sale of his career. To his credit, he did his due diligence and showed us one or two more homes before giving us an “official” walk-through of what we just knew would be our new home. We made a counter offer to the current owner and he accepted it, pending inspection. So, as far as we are concerned, row house living decided to embrace us!

Dining room of Georgian / Greek Revival row house in Jersey City. Photos: Richard Haymes and Michael DeJong.

Dining room of Georgian / Greek Revival row house in Jersey City. Photos: Richard Haymes and Michael DeJong.

You mentioned in your original post on HGTV’s “Rate My Space,” that your home is one in a row of four that were built for one family. Your house was the last to remain in the original family’s possession. That’s an amazing history. Is there more to the story?

Richard: The only things remaining to the story are that we loved the house from the minute we saw it, realized that it had “grown” biomorphically — layer upon layer of improvements — e.g. handmade parquet floors in some rooms laid directly on the original pumpkin pine, a huge copper bay window in front of the house extending out from the dining room (it’s really a large piece of folk art made by the last owner’s father). There was an 80 year old rose bush in the back yard which was ripped out by the tenants living here before we bought the place, so we’ve planted new Don Juan climbers in that spot (the only climbing rose with a scent), the basement has the original hand hewn beams, (Michael: The structural beams are logs!). All of the doorknobs are placed lower than they would be on today’s doors since people were much shorter when the house was built.

Georgian / Greek Revival row house in Jersey City. Photos: Richard Haymes and Michael DeJong.

Georgian / Greek Revival row house in Jersey City. Photos: Richard Haymes and Michael DeJong.

You’ve done a beautiful job renovating and capturing the original style of the interior. Did you find a lot of original details? What sort of research did you do to keep with the period style of your early 19th Century home?

Richard: We have not touched anything in the house structurally, and the house needed very little renovation, per se — Pearl, the last family owner and her sister, hermetically sealed all of the old details beneath 70s paneling and drop ceiling acoustic tiles and shag carpeting. When the man who bought it from the estate removed all of the “mid-Century” improvements, all of the original wainscoting, mirrors, lincrusta and agalypta walls coverings, and beautiful flooring had been preserved. What we’ve tried to do is follow the shapes that already exist in the house (e.g. curved walls, patterns on the lincrusta) and chosen furnishings that reflect those shapes. One thing we did try to avoid, however, was anything Victorian and tried to keep things more Edwardian and masculine in feel.

When you chose your furniture and decor elements, did you adhere to an overall plan or did the style develop organically over time?

Michael: When Richard and I sat down to discuss and choose the colors for the entire house, we did so in about 45 minutes. Once chosen, we drove to the paint/hardware supplier in our neighborhood and offered him a list of the paints we needed… 53 gallons in all. (His eye’s completely bugged out of his head!) Although the color pallet appears simple, many rooms have up to four or five historical colors and different finishes too. Since it is an old house, we decided it should look and feel like one. By avoiding white (except for the trim work in the bathroom) it offered a warm and nest like quality. And since the house didn’t have electricity until the early 1900s (stumps of gas lines are still visible in every room) we both agreed that smoky colors would have been the best way to re-tell that part of it’s past. Although the painting took several years… plastering, patching and sanding, sanding, sanding… our originally chosen palette was carefully followed. Brown-tones, rich tans, satin black, musty olive greens, and a coral red were colors that were used again and again. The century old delicate wall treatments were minimally repaired and repainted and then treated with painterly glazes to accentuate their detail. Since our living room is just that, a living room, the color green for me best symbolizes it. The green sharkskin silk draperies were made of the same color to add luxury but to minimize them at the same time. The dining room is also monochromatic in shades of brown with drapes made of yards of silk to match.

Georgian / Greek Revival row house in Jersey City. Photos: Richard Haymes and Michael DeJong.

Georgian / Greek Revival row house in Jersey City. Photos: Richard Haymes and Michael DeJong.

Michael: The furniture was chosen for it’s simplicity, comfort, practicality and scale and although it all looks kinda’ old, it’s a mix of this that and the other… antiques, floor-room samples, Salvation Army, stoop sale rescues and garbage night discoveries. (I can cure leprosy with a coat of paint and Richard could rewire the Chrysler Building!) Since everything in the house is skinny and tall, everything we’ve added to the house is vertical. We’ve focused on vertical elements – stripes point up (notice the pin-striping on the couches) high back chairs, columns, draperies… tall, tall, tall. (If you can’t beat them, join them.)

Michael: And then to make the house look and feel like the Addams Family might have once lived here, something large and black was integrated into every room. That paired with the new and spooky additions – the secret wall that swings open to reveal the basement, the bookcase that unmasks a guest room and a cabinet that mysteriously lowers to reveal yet another place for guests to spend the night – make for a surprise in every corner.

Georgian / Greek Revival row house in Jersey City. Photos: Richard Haymes and Michael DeJong.

Georgian / Greek Revival row house in Jersey City. Photos: Richard Haymes and Michael DeJong.

Did you adhere to the original dimensions of the rooms? Or have you opened the space up?

Michael: Except for some minor alterations, we’ve kept the rooms and the footprint of the house exactly the way we found it.

There are always challenges with owning an historic row home. What issues have you faced and what are some solutions you’ve used?

Richard: We live in a designated historic district and so sometimes the bureaucracy slows things down, but it’s all worth it. All of the houses in our row had been painted over the front brick sometime in the 50s-60s and looked horrible — red paint with a black stenciled “pointing” that never matched the actual brick and pointing beneath. We had our house stripped first, and had to make our case with the Historic Commission as to why we didn’t want the new pointing to be toothpaste white as they were insisting. Our feeling was that we wanted our house to look like a house that was built in 1833, not 2002, and to look like an old home and therefore wanted the pointing to look like it had been exposed to the elements for all those years. We’re happy that we won that decision. Two of the other three houses in our row did the same. The fourth house in our row, on the corner, has a store beneath the living quarters, and they haven’t yet stripped their brick. Their house is painted to match the house across the street from it.

Richard: Another challenge we had when we purchased the house was that the former tenants had decided to put a garden in the front and a water-feature in the backyard — each of which covered the airspace/windows that had allowed the house to breath for 170 years (these windows were probably originally used as coal shoots). So we had a lot of problems with dampness in the basement until we got rid of the piles of dirt covering the windows. Then, when indoor plumbing was installed in the late 1800s/early 1900s, all 4 houses were put on one sewer line connected from the back, leading to the avenue 3 houses away from ours. Over time, with the use of modern conveniences, more bathing, etc., the original sewer lines just rotted and we had a raw sewage emergency three Christmases ago. The municipal utilities crews were out immediately and we each got a separate sewer line from our homes directly out to the street in front. Had we not been four houses joined together on one line, the work would have cost each of us upwards of $20,000, but because of the original sewer set up, the city worked for free.

Georgian / Greek Revival row house in Jersey City. Photos: Richard Haymes and Michael DeJong.

Georgian / Greek Revival row house in Jersey City. Photos: Richard Haymes and Michael DeJong.

You’ve been very environmentally conscientious with your home. Share with us some things you did to make you older home more earth-friendly.

Richard: We’ve replaced the energy inefficient appliances as we’ve proceeded and have replaced all but two windows with thermal pane models. We put our boiler on a thermostat and keep the temperature a few degrees cooler than we would like and just wear sweaters and layers. Our upstairs toilet, which is part of the original house’s indoor plumbing has a beautiful, ornate porcelain bowl, and at one time probably had a wood tank with a chain. Somewhere along the line, a back tank was jerry-rigged onto the old bowl. To improve the system’s efficiency, we put water-filled bottles into the tank to save water with each flush, since the original bowl is not up to code but too beautiful to remove. At some point, we will have it removed and restored and perhaps even reinstall the ceiling wood tank which they still sell in catalogs.

Jersey_City_1830_Row_House_08

Michael is the author of “Clean: The Humble Art of Zen-Cleansing.” I find that cleaning my home puts me into a wonderfully happy place. Up to this point I thought I might be insane. Is there really a zen to cleaning? Do you think that cleaning a row house especially increases one’s tranquility? (At RowHouse we like to think row houses are extra special!)

Richard: Michael is definitely the best person to answer this question, particularly since his recipes are non-commercial and use ingredients that were most probably used by people in the 1800s.

Michael: When we clean our homes with materials that don’t poison us much of the drudgery melts away. I’m a neat-nick and hate a mess so cleaning – at least for me – is an everyday occurrence. It’s amazing how just-about anything can be cleaned and once done – outside of painting it, re-building it, re-plastering it, or re-wiring it – the simplest renovations can occur. Our forefathers were right… the purest and simplest means to cleanliness are indeed the best.

Obviously you are very proud of your home and the love shows in the attention to every detail. What is the best thing you like about your row house?

Richard: It’s not so much the pride we feel in the house as the love we have for it. It is a very modest house, probably built for a family of factory workers or housekeepers for the wealthier families a bit further south from our house. But everywhere we look, there is something that makes us smile and appreciate it all over again. There are several rooms per floor and I often don’t go into some for weeks at a time, and so it’s like discovering a hidden treasure all over again.

Michael: I not only clean a little bit in our house every day I also work on a project in our house every day… it’s how I procrastinate. It’s the way I slip away and find my center. I too am surprised by rediscovering something I’ve completely forgotten about. You know the saying “Can’t see the forest for the trees?” I’m sometimes so focused on some detail that I forget the larger picture. But when I sometimes walk into the house I share with my partner Richard, and I see the sunlight across the dining room table and the surfaces all seem to perk up in the way I had imagined… it all seems worth it.

Georgian / Greek Revival row house in Jersey City. Photos: Richard Haymes and Michael DeJong.

Georgian / Greek Revival row house in Jersey City. Photos: Richard Haymes and Michael DeJong.

About the portrait in the library, is he a relative? Former resident? He’s just perfect there. For our story about the Joseph Sims House we were able to get a portrait of the original resident. It was nice to put a face with the house.

Richard: Even before we owned this house we had a small cottage in Northeast Pennsylvania, for which we started collecting portraits — the man in the library was our first purchase. Since then we’ve been avid collectors of miniature portraits as well as folk art from the 1800s. Michael can explain more about them all.

Michael: Many of the paintings that we own are objects that we’ve discovered and feel that they tell a story. When we walk friends or visitors though our house we point out the pictures of the “Dead Folks.” Although many of the faces are unknown and the painters names obliterated over time, the life-sized full-figured self portrait of a man at the top of the stairs through research has been identified.

Michael: We found the painting on e-bay. Since I’m always looking for that “needle in a haystack” I found it listed under oil “potraits.” (I’m always looking for misspellings… e-bay doesn’t have a spell-check system.) The seller wanted to unload the painting and its amazing original frame and the only information we were told was that the original owner had come from Denmark. Knowing that, I visited the The Skagen Museum in Denmark’s virtual tour and voila! There was an other painting that looked like the one we had just purchased on e-bay. The artist’s name is Peder Kroyer. With minimal research, I found mountains of support material (including a photo found online of him in exactly the same clothing from the 1880s) and, once here in our home, we were able to have it appraised and authenticated.

The Joseph Sims House, Philadelphia, Pennsylvania

The Joseph Sims House, Philadelphia, Pa.

The Joseph Sims House, Philadelphia, Pa.

Semi-Attached Home, circa. 1830s

Inside: four bedrooms, four full baths, one half bath, brick exterior, gas heat, central a/c, three fireplaces, elevator, eight car parking, finished basement w/ laundry, roof deck

This was formerly a “it can be yours” article on the website.

The Joseph Sims House is one of the original row homes built in Philadelphia. It was designed by Robert Mills (1781 – 1855), a prominent row house architect in the 19th Century.

Mills is known to have designed the Franklin Row, that this home used to be a part of, and the Carolina Row. It’s possible that he designed quite a few other rows in Philadelphia as well. Aside from Philadelphia, Mills designed many rows in early American, mid-Atlantic cities including the Waterloo Row in Baltimore and much of the housing in the Washington DC area. His most famous work is the Washington Monument.

Mills was a highly effective urban dwelling architect who, besides designing space efficient row houses, also promoted the use of fireproof materials when building row houses. This helped transition row houses from fiery death traps into the epitome of city living. Stylistically, he helped establish the Federal architectural style as the style of choice for almost all urban architecture during the early American period (see our article on Federal row house architecture). The Joseph Sims house represents one of the last survivors of his work in Philadelphia. Originally located at 228 South Ninth street, it was later moved to its current location.

Our observations include the very interesting facade with it’s very large singular windows. The inside is almost completely modernized with large open spaces.

Photos courtesy of the property’s listing agent at the time.

The Joseph Sims House, Philadelphia, Pa.

The Joseph Sims House, Philadelphia, Pa.

The Joseph Sims House, Philadelphia, Pa.

The Joseph Sims House, Philadelphia, Pa.

The Joseph Sims House, Philadelphia, Pa.

The Joseph Sims House, Philadelphia, Pa.

A Very Interesting Row House: The Dennis Severs’ House

Dennis Severs House façade, 2010, photographed from Folgate Street - source: wikipedia commons

Dennis Severs House façade, 2010, photographed from Folgate Street – source: wikipedia commons

I had quite the row house odyssey last night. I was collecting pins for the RowHouse Magazine Pinterest board (http://www.pinterest.com/bklynwebgrrl/rowhouse-magazine/) and came across this pin (http://www.pinterest.com/pin/29062360069384852/) about the Dennis Severs’s row, or terraced, house in the Spitalfields neighborhood of London, UK.

If you haven’t visited my Pinterest board, please do. I often clip interesting row houses there that I just don’t get a chance to write about here.

Anyway, back to the Severs’ row house. Dennis Severs was an American, born in the 20th Century who decided that he no longer wanted to live in 1970s America. So he moved to a Georgian row house in London and proceeded to retrofit the home to look like it was a family home from the period, ranging from the mid-1700s to 1800s. It’s a beautiful house, built around 1724.

Severs’ approach is unique. He completely immersed himself in history, forsaking indoor plumbing and electricity. The rooms are not so much a museum as more frozen in time. There are fires in the fireplace, half-eaten food on the plates, and mussed-up bed sheets. Walking through the home is far more intimate than walking through any other museum, even living museums like Williamsburg, where they clean up the place before you get there. This home is not perfect, not period-accurate but it seems more real than any other place because it captures the feeling on many sensory levels.

One day, I will go to London and I’m totally putting this place on my list of things to see. It is probably the best historic row house tourist attraction in existence. Meanwhile, here is a video that shows the home and explains what Severs had in mind.

RowHouse Magazine Resources: Research

A wooden row house in Brooklyn Heights, New York.Baltimore City Historic Society

Athenaeum of Philadelphia

Historic House Trust – New York City

Historical Society of Pennsylvania

National Parks Service – Technical Preservation Services

New York Historical Society

Pennsylvania Historical and Museum Commission

The Bostonian Society

Please note that listing a product or company here is not an endorsement of the product and/or its quality. Listings here are meant to be useful and informative but not promotional. Companies listed here have not paid compensation to be listed.

If you would like to be added to this list, please leave a comment below. Thank you!